As part of our exhibition “we rotate in the jelly” in May 2015, we soaked people in jelly. While we recorded the moment they went into the jelly and the subsequent process, we simultaneously exhibited the recordings. Rather than covering people with jelly to make moulds, we actually placed them in a container filled with jelly. What used to be air before tangibly emerged as an object, and we turned the experience itself of being completely soaked into an art piece. In fact, in my opinion, we are living our daily lives without much consciousness as to how much of space belongs to ourselves. By throwing our perception of space into question, I am hoping to acquire a new sense. From its viscous state, jelly gradually hardened and more firmly stuck to the skin of the people inside, and thus they were separated from the outside world, partly in fear and partly in excitement. Although jelly, as an object, separated them from their surroundings, vague lights and sounds got through it. The relationship between the person inside it and the outer world was as if that between a baby in the womb and its mother. While continuously showing sexual aspects, it also showed the realistic relationship between life and death in its structure. The relationship between inside and outside might appear very simple on surface. However, I believe these unconscious perceptions of ours are profound.